Reading Notes

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Dirk van Hulle, Wim Van Mierlo
Rodopi, 2004 - 415 ページ
Reading notes constitute a vast resource for an understanding of literary history and culture. They indicate what writers read as well as how they read and what they used in their own work. As such, they play an important role in both the reception and the production of texts. The essays in this volume, representing the newest trends in European and international textual scholarship, examine literary creation and the relationship between reading and writing. To study how readers respond to writing and how reading engenders new writing, the contributing scholars no longer take for granted that authors write in splendid isolation, but turn to a more broadly sociological investigation of authorship, assigning new roles to the writer as reader, notetaker, annotator, book collector and so on.
Notes and annotations may be fragmentary, private, undigested and embryonic, but as witnesses to the reading process, they tell unique stories about writers and readers, ranging from great marginalists like Coleridge to women annotators of cookbooks. This subject of research is a junction of several fields of research and tries to bridge gaps between separate disciplines with a common ground, such as the history of the book, the history of reading, and the history of writing, scholarly editing, and textual genetics (the analysis, commentary and critical interpretation of the way in which works of art come into being), bridging the gap between literary and textual criticism.
 

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目次

Greta Golick
4
Towards a Marginalist Economy of Textual Genesis
7
J Driscoll
21
Carmen Peraita
37
Stephen Colclough
61
C Mays
79
H T M van Vliet
115
Wim Van Mierlo
135
Maximiliaan van Woudenberg
245
Peter Shillingsburg
271
Martha Nell Smith
279
Rüdiger NuttKofoth
293
Geert Lernout
303
Dirk Van Hulle
309
REVIEWS
335
Carmen Peraita
344

Bodo Plachta
173
Davide Giuriato
195
Axel Gellhaus
207
Herbert Wäckerlin
221
Gert Buelens
352
Mats Dahlström
365
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11 ページ - J'étais si fou dans ces moments de bonheur que je n'ai presque aucun souvenir distinct; tout au plus quelque date pour marquer, sur un livre nouvellement acheté, l'endroit où je l'avais lu. La moindre remarque marginale fait que si je relis jamais ce livre, je reprends le fil de mes idées et vais en avant.

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