Conversations in a Studio, 第 1 巻Houghton, Mifflin, 1890 - 578 ページ |
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... question of the hour , - you glance up and see one of the old , silent faces of Venice , dead and dust centuries ago , calmly gazing down upon you as with a look of pity ; and you stop , and your fancy takes you away over time and space ...
... question of the hour , - you glance up and see one of the old , silent faces of Venice , dead and dust centuries ago , calmly gazing down upon you as with a look of pity ; and you stop , and your fancy takes you away over time and space ...
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... question is whether , in spite of those defects , it is good . Any fool among architects can find fault with St. Peter's ; but , after all , is it not a great work ? What makes it a great work ? Tell me , you who know . The fool will ...
... question is whether , in spite of those defects , it is good . Any fool among architects can find fault with St. Peter's ; but , after all , is it not a great work ? What makes it a great work ? Tell me , you who know . The fool will ...
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... question more : What has become of all this gold ? M. What becomes of pins ? Where do the millions upon millions go that are manufactured every year ? Where the gold went , in all proba- bility . Still , I cannot but think that great ...
... question more : What has become of all this gold ? M. What becomes of pins ? Where do the millions upon millions go that are manufactured every year ? Where the gold went , in all proba- bility . Still , I cannot but think that great ...
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... question , and cries , Where ? B. Where are all these splendid statues of antiquity , to whose care men were pledged with their lives ? They have perished or disappeared as a stone in the sea , and no one knows when , how , or where ...
... question , and cries , Where ? B. Where are all these splendid statues of antiquity , to whose care men were pledged with their lives ? They have perished or disappeared as a stone in the sea , and no one knows when , how , or where ...
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... , or she will hide her face and refuse her favors . But with art now it is as it is with matrimony : as marriages are made for money and not for love - ( ART A LOFTY PAYMASTER . 73 the great question 72 CONVERSATIONS IN A STUDIO .
... , or she will hide her face and refuse her favors . But with art now it is as it is with matrimony : as marriages are made for money and not for love - ( ART A LOFTY PAYMASTER . 73 the great question 72 CONVERSATIONS IN A STUDIO .
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admirable Apelles artist Attalus Attic talent beauty believe Ben Jonson better cæsura called Candaules centenarian character charming Cicero color commandment criticism death delight died doubt dress English eyes fact feeling fortune genius give Goethe gold Greeks Hamlet hand hear hundred images instance Jew of Malta Jonson least LIGHTBORN lines lived look Lord mean ment Michael Angelo mind mulsum nature Nero never night noble one's Othello painted painter passage passion person Phidias phrases Phryne picture plays Pliny poems poet poetic poetry Polycleitus praise Praxiteles Protogenes Raffaelle remember rhythm Roman sculptor seems sense sesterces Shakespeare Shoddy sing song sonnet speak spirit statue story Suetonius suppose sure sweet Tacitus talent talk taste tell thing thou thought Tiberius tion Titian touch ture valet verse whole wonderful words written wrote
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84 ページ - ... Shylock, we would have moneys :" — you say so ; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, " Hath a dog money ? is it possible A cur can lend three thousand ducats...
111 ページ - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont ; Even so my bloody thoughts, with violent pace, Shall ne'er look back, ne'er ebb to humble love. Till that a capable and wide revenge Swallow them up. — Now, by yond marble heaven, In the due reverence of a sacred vow {Kneels, I here engage my words.
107 ページ - Andrew dock'd in sand, Vailing her high top lower than her ribs, To kiss her burial. Should I go to church, And see the holy edifice of stone, And not bethink me straight of dangerous rocks, Which, touching but my gentle vessel's side, Would scatter all her spices on the stream, Enrobe the roaring waters with my silks, And, — in a word, but even now worth this, And now worth nothing...
112 ページ - ... where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods, or to reside In thrilling...
281 ページ - Take, oh take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn; But my kisses bring again, bring again, Seals of love, but seal'd in vain.
213 ページ - And if it seem evil unto you to serve the Lord, choose you this day whom ye will serve; whether the gods which your fathers served that were on the other side of the flood, or the gods of the Amorites, in whose land ye dwell : but as for me and my house, we will serve the Lord.
239 ページ - It is the hush of night, and all between Thy margin and the mountains, dusk, yet clear, Mellow'd and mingling, yet distinctly seen. Save darken'd Jura, whose capt heights appear Precipitously steep; and drawing near, There breathes a living fragrance from the shore, Of flowers yet fresh with childhood ; on the ear Drops the light drip of the suspended oar, Or chirps the grasshopper one good-night carol more...
204 ページ - I cannot say he is everywhere alike ; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid — his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him...
106 ページ - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we...
83 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.