Conversations in a Studio, 第 1 巻Houghton, Mifflin, 1890 - 578 ページ |
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... True ; and will not the same change take place in the popular estimate of our modern ar- tists ? Many a name which now stands very high will vanish out of sight , and some , perhaps , who are undervalued at present will steadily grow in ...
... True ; and will not the same change take place in the popular estimate of our modern ar- tists ? Many a name which now stands very high will vanish out of sight , and some , perhaps , who are undervalued at present will steadily grow in ...
8 ページ
... by them , and influence even the new inhabitants in some subtle way . B. However that may be which I confess seems rather fantastic - it is quite true that walls THE SILENT WITNESSES . 2 9 are great tell - CONVERSATIONS IN A STUDIO .
... by them , and influence even the new inhabitants in some subtle way . B. However that may be which I confess seems rather fantastic - it is quite true that walls THE SILENT WITNESSES . 2 9 are great tell - CONVERSATIONS IN A STUDIO .
18 ページ
... true , and very natural , too . Every mother likes her own child , however deformed it may be ; and the more crying the deformity , the stronger the bias of her love to make up for it . I hope I shall never take the low view of my own ...
... true , and very natural , too . Every mother likes her own child , however deformed it may be ; and the more crying the deformity , the stronger the bias of her love to make up for it . I hope I shall never take the low view of my own ...
20 ページ
... True ; and what was it I was meaning to say ? No matter . Ah ! what you were saying , of retreating from critical dispraise into the fastness of non mi piace , reminded me of a French maid we once had who had as easy a facility of lying ...
... True ; and what was it I was meaning to say ? No matter . Ah ! what you were saying , of retreating from critical dispraise into the fastness of non mi piace , reminded me of a French maid we once had who had as easy a facility of lying ...
38 ページ
... True , she was thirty - five when it was painted , but still in the perfection of her beauty and grace , and he chose her as his model for the daughter of Priam , in his famous picture of " The Rape of Cassandra " in the Poecile at ...
... True , she was thirty - five when it was painted , but still in the perfection of her beauty and grace , and he chose her as his model for the daughter of Priam , in his famous picture of " The Rape of Cassandra " in the Poecile at ...
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admirable Apelles artist Attalus Attic talent beauty believe Ben Jonson better cæsura called Candaules centenarian character charming Cicero color commandment criticism death delight died doubt dress English eyes fact feeling fortune genius give Goethe gold Greeks Hamlet hand hear hundred images instance Jew of Malta Jonson least LIGHTBORN lines lived look Lord mean ment Michael Angelo mind mulsum nature Nero never night noble one's Othello painted painter passage passion person Phidias phrases Phryne picture plays Pliny poems poet poetic poetry Polycleitus praise Praxiteles Protogenes Raffaelle remember rhythm Roman sculptor seems sense sesterces Shakespeare Shoddy sing song sonnet speak spirit statue story Suetonius suppose sure sweet Tacitus talent talk taste tell thing thou thought Tiberius tion Titian touch ture valet verse whole wonderful words written wrote
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84 ページ - ... Shylock, we would have moneys :" — you say so ; You, that did void your rheum upon my beard, And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say, " Hath a dog money ? is it possible A cur can lend three thousand ducats...
111 ページ - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont ; Even so my bloody thoughts, with violent pace, Shall ne'er look back, ne'er ebb to humble love. Till that a capable and wide revenge Swallow them up. — Now, by yond marble heaven, In the due reverence of a sacred vow {Kneels, I here engage my words.
107 ページ - Andrew dock'd in sand, Vailing her high top lower than her ribs, To kiss her burial. Should I go to church, And see the holy edifice of stone, And not bethink me straight of dangerous rocks, Which, touching but my gentle vessel's side, Would scatter all her spices on the stream, Enrobe the roaring waters with my silks, And, — in a word, but even now worth this, And now worth nothing...
112 ページ - ... where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods, or to reside In thrilling...
281 ページ - Take, oh take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn; But my kisses bring again, bring again, Seals of love, but seal'd in vain.
213 ページ - And if it seem evil unto you to serve the Lord, choose you this day whom ye will serve; whether the gods which your fathers served that were on the other side of the flood, or the gods of the Amorites, in whose land ye dwell : but as for me and my house, we will serve the Lord.
239 ページ - It is the hush of night, and all between Thy margin and the mountains, dusk, yet clear, Mellow'd and mingling, yet distinctly seen. Save darken'd Jura, whose capt heights appear Precipitously steep; and drawing near, There breathes a living fragrance from the shore, Of flowers yet fresh with childhood ; on the ear Drops the light drip of the suspended oar, Or chirps the grasshopper one good-night carol more...
204 ページ - I cannot say he is everywhere alike ; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid — his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him...
106 ページ - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we...
83 ページ - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.