A Course of Lectures on Dramatic Art and LiteratureHogan & Thompson, 1833 - 442 ページ |
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xi ページ
... tragedy to the opera . Tragical lyric poetry . Essence of the Greek tragedies . Ideality of the representation . Idea of fate . Source of the pleasure derived from tragical representations . Import of the chorus . The materials of the ...
... tragedy to the opera . Tragical lyric poetry . Essence of the Greek tragedies . Ideality of the representation . Idea of fate . Source of the pleasure derived from tragical representations . Import of the chorus . The materials of the ...
xii ページ
... Tragedies of the same period . Rowe . Addison's Cato . Later pieces . Familiar tragedy : Lillo . Garrick . Latest state . 368 LECTURE XIV . Spanish Theatre . Its three periods ; Cervantes , Lope de Vega , Calderon . Spi- rit of the ...
... Tragedies of the same period . Rowe . Addison's Cato . Later pieces . Familiar tragedy : Lillo . Garrick . Latest state . 368 LECTURE XIV . Spanish Theatre . Its three periods ; Cervantes , Lope de Vega , Calderon . Spi- rit of the ...
6 ページ
... tragedy of Sophocles from a drama of Shaks- peare . The comparison between these wonderful productions . of poetry and architecture might be carried still farther . But does our admiration of the one compel us to depreciate the other ...
... tragedy of Sophocles from a drama of Shaks- peare . The comparison between these wonderful productions . of poetry and architecture might be carried still farther . But does our admiration of the one compel us to depreciate the other ...
11 ページ
... tragedy ; for in come- dy , the form under which it appears in Plautus and Terence has certainly been more prevalent . Of all the studied imitations of the ancient tragedy the French is that which is the most splendid , which has ...
... tragedy ; for in come- dy , the form under which it appears in Plautus and Terence has certainly been more prevalent . Of all the studied imitations of the ancient tragedy the French is that which is the most splendid , which has ...
29 ページ
... tragedy and comedy ; in the former ideal , and in the lat- ter , at least in the old comedy , somewhat caricatured . In Tragedy , we shall first consider what constituted its most distinctive peculiarity among the ancients : the ...
... tragedy and comedy ; in the former ideal , and in the lat- ter , at least in the old comedy , somewhat caricatured . In Tragedy , we shall first consider what constituted its most distinctive peculiarity among the ancients : the ...
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多く使われている語句
acquainted action admiration Agamemnon allowed altogether ancient appears Aristophanes Aristotle beauty Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra comic writers composition considered Corneille critics death degree dignity Dikaiopolis display dramatic art effect Electra elevation endeavours English entertainment Eschylus Eumenides Euripides everything exhibited expression favour feeling foreign French tragedy give Grecian Greek tragedy Greeks Hence heroes heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labour language Lope de Vega manner masks means Menander merely Metastasio mind modern Molière moral nations nature never noble object observe old comedy Orestes original passion peculiar persons picture pieces Plautus players plays poet poetical poetry possess principles produce Racine representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish Spanish poetry species spectators spirit stage taste theatre theatrical things tion tone tragic true truth unity verse Voltaire whole
人気のある引用
351 ページ - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
280 ページ - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. How long hast thou been a grave-maker? First Clo. Of all the days i' the year, I came to 't that day that our last king Hamlet overcame Fortinbras.
196 ページ - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
321 ページ - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
299 ページ - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
292 ページ - He paints, in a most inimitable manner, the gradual progress from the first origin ; " he gives," as Lessing says, "a living picture of all the most minute and secret artifices by which a feeling steals into our souls, of all the imperceptible advantages which it there gains, of all the stratagems by which every other passion is made subservient to it, till it becomes the sole tyrant of our desires and our aversions.
282 ページ - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
296 ページ - ... properties subsist in him peaceably together. The world of spirits and nature have laid all their treasures at his feet: in strength a demi-god, in profundity of view a prophet, in all-seeing wisdom a guardian spirit of a higher order, he lowers himself to mortals as if unconscious of his superiority, and is as open and unassuming as a child.
323 ページ - By the manner in which he has handled it, it has become a glorious song of praise on that inexpressible feeling which ennobles the soul and gives to it its highest sublimity, and which elevates even the senses themselves into soul...
9 ページ - Hence the poetry of the ancients was the poetry of enjoyment, and ours is that of desire : the former has its foundation in the scene which is present, while the latter hovers betwixt recollection and hope.