Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620 |
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More's poem is not rooted in social or political reality ; it exists not in a world where real women demand rights but in a world where books answer books . More's indignation is most likely a calculated posture : he handles the genre ...
More's poem is not rooted in social or political reality ; it exists not in a world where real women demand rights but in a world where books answer books . More's indignation is most likely a calculated posture : he handles the genre ...
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But in Book I , Cleopatra and Semiramis are condemned as “ proud wemen , vaine , forgetfull of their yoke " ( I. v.50.1 ) . Medea was honored by defenders for her skill in sorcery and damned by misogynists for murdering her brother : in ...
But in Book I , Cleopatra and Semiramis are condemned as “ proud wemen , vaine , forgetfull of their yoke " ( I. v.50.1 ) . Medea was honored by defenders for her skill in sorcery and damned by misogynists for murdering her brother : in ...
120 ページ
licates the shape of Books I through III of The Courtier , where the first two books delineate the ideal courtier and the third the ideal female courtier ... Another section on womankind occurs in Book V , the book of Justice .
licates the shape of Books I through III of The Courtier , where the first two books delineate the ideal courtier and the third the ideal female courtier ... Another section on womankind occurs in Book V , the book of Justice .
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