Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620 |
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The gossips ' meeting is at heart a comic genre of considerable charm . But it does suggest widespread male defensiveness , a general unwillingness to brook criticism from an inferior species , as well as fear of ...
The gossips ' meeting is at heart a comic genre of considerable charm . But it does suggest widespread male defensiveness , a general unwillingness to brook criticism from an inferior species , as well as fear of ...
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On the public level , the misogyny in the plays may represent distrust of civic and civilian society , a fear that ... the plays may represent adolescent fears — fear of sex , fear of women and their mysterious ways , fear of the murky ...
On the public level , the misogyny in the plays may represent distrust of civic and civilian society , a fear that ... the plays may represent adolescent fears — fear of sex , fear of women and their mysterious ways , fear of the murky ...
292 ページ
It is appropriate that the opening scene of The Captain , whose title figure Jacomo hides his fear of women behind a mask of soldierly woman hatred , should set the stage with an antifeminist conversation between Lodovico and Piso ...
It is appropriate that the opening scene of The Captain , whose title figure Jacomo hides his fear of women behind a mask of soldierly woman hatred , should set the stage with an antifeminist conversation between Lodovico and Piso ...
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