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" There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces. He was alone, and I before him did not know whether I stood on the ground or floated in the... "
Youth: And Two Other Stories - 164 ページ
Joseph Conrad 著 - 1903 - 381 ページ
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Youth: And Two Other Stories

Joseph Conrad - 1903 - 410 ページ
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man ! he had kicked...what we said — repeating the phrases we pronounced, i — but what's the good ? They were common everyday words, — the familiar, vague sounds exchanged...

Complete Works, 第 16 巻

Joseph Conrad - 1903 - 360 ページ
...the man! he had HckfH* th p very earthrtojneces. He was alone, and I before him did not know wEether I stood on the ground or floated in the air. I've been telling you what we said—repeating the phrases we pronounced—but what's the good? They were common everyday words—the...

Story-writing: Lessons from the Masters

Frances Melville Perry - 1926 - 270 ページ
...desire of the jungle to deify, as "a tree swayed by the wind — no restraint; he had kicked himself loose of the earth. Confound the man. He had kicked the very earth to pieces." In the same story we have the unnamed Russian already quoted, whose need was to move onwards with the...

The Living Age, 第 226 巻

1900 - 874 ページ
...incredible degradation. There was nothing either above or below him, and I knew It. He had kicked himself loose of the earth, confound the man! He had kicked...telling you what we said— repeating the phrases we pronounced—but what's the good? They were common, every-day words, the familiar, vague sounds exchanged...

Heart of Darkness and The Secret Sharer

Joseph Conrad - 2004 - 205 ページ
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked...He was alone, and I before him did not know whether 1 stood on the ground or floated in the air. I've been telling you what we said — repeating the phrases...

The Supporting Cast: A Study of Flat and Minor Characters

David Galef - 1993 - 252 ページ
...toward Kurtz, one even senses admiration in the original sense of the word, having to do with a miracle: "He was alone, and I before him did not know whether I stood on the ground or floated in the air" (144). For most of the confrontation, however, Marlow is presented with the "shade of the original...

Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 274 ページ
...incomprehensible mystery."2 In The Great Tradition, Leavis springs at Marlow's comments, "I've been . . . repeating the phrases we pronounced - but what's the good? They were common everyday words" (144), with a sort of saturnine elan: "What's the good, indeed? If he cannot through the concrete presentment...

The Subject of Modernism: Narrative Alterations in the Fiction of Eliot ...

Tony E. Jackson - 1994 - 236 ページ
...name of anything high or low . . . There was nothing either above or below him — and I knew it ... He was alone — and I before him did not know whether I stood on the ground or floated in the air. (65) At this most intense moment, Kurtz remains a being, but Marlow cannot certainly refer to him as...

Solitude Versus Solidarity in the Novels of Joseph Conrad: Political and ...

Ursula Lord - 1998 - 382 ページ
...incredible degradation. There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces" (107). Kurtz enacts a final stand of radical individuality in defiance of the deadly conformity required...

The Fate of the Earth and The Abolition: And, The Abolition

Jonathan Schell - 2000 - 484 ページ
...further comments, 'There was nothing either above or below him, and I knew it. He had kicked himself loose of the earth. Confound the man! he had kicked the very earth to pieces." This foreboding of annihilation was no incidental feature of the work; it returns several times, always...




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