To take his supper upon his knee, But when they had supped every one, He sayd, "come hither, my little foot-page, Goe thee downe into yonder towne, 115 And low into the street; The fayrest ladye that thou can finde, Ellen is gone into the towne, And low into the streete : The fairest ladye that shee cold find, "I praye you nowe, good Childe Waters, 'He gave her leave, and faire Ellèn Hee sayd, "Rise up, my litle foot-page, Up then rose the faire Ellèn And gave his steede corne and hay: And soe shee did the good blacke oates, To carry him the better away. *i. e. defiling. See Warton's Observ. Vol. ii. p. 158. † Ver. 132. i. e. essay, attempt. Shee leaned her backe to the manger side, Shee leaned her back to the manger side, And that beheard his mother deere, Shee sayd, "Rise up, thou Childe Waters, For in thy stable is a ghost, That grievouslye.doth grone: Or else some woman laboures of childe, Up then rose Childe Waters soon, And when he came to the stable dore, That hee mighte heare his fayre Ellen, She sayd, "Lullabye, mine owne deere child, I wold thy father were a king, Thy mother layd on a biere." "Peace now," hee said, "good faire Ellèn, And the bridal and the churching both *sic in MS. i. e. moaning, bemoaning, &c. X PHILLIDA AND CORYDON. THIS Sonnet is given from a small quarto MS. in the editor's possession, written in the time of Q. Elizabeth. Another copy of it, containing some variations, is reprinted in the "Muses Library," p. 295, from an ancient miscellany, intitled “ "England's Helicon," 1600, 4to. The author was Nicholas Breton, a writer of some fame in the reign of Elizabeth; who also published an interlude intitled "An old man's lesson and a young man's love," 4to. and many other little pieces in prose and verse, the titles of which may be seen in Winstanley, Ames' Typog. and Osborne's Harl. Catalog. &c. - He is mentioned with great respect by Meres, in his second pt. of "Wit's Common-wealth," 1598, f. 283, and is alluded to in Beaumont and Fletcher's "Scornful Lady," Act ii. and again in "Wit without Money," Act iii.-See Whalley's Ben Jonson, vol. iii. p. 103. The present edition is improved by a copy in "England's Helicon," edit. 1614, 8vo. IN the merrie moneth of Maye, When, anon, by a wood side, Phillida and Corydon. Much adoe there was, God wot; He sayde, "hee had lovde her longe :" Ver. 4, the wode. MS. 5 10 Corydon wold kisse her then : She sayes, 66 maydes must kisse no men, Tyll they doe for good and all." Then with manie a prettie othe, Love, that had bene long deluded, tit The foregoing little Pastoral of "Phillida and Corydon," is one of the songs in "The Honourable Entertainment gieven to the Queenes Majestie in Progresse at Elvetham in Hampshire, by the R. H. the Earle of Hertford, 1591," 4to. [Printed by Wolfe. No name of author.] See in that pamphlet, "The thirde daies Entertainment. "On Wednesday morning about 9 o'clock, as her Majestie opened a casement of her gallerie window, ther were 3 excellent musitians, who being disguised in auncient country attire, did greet her with a pleasant song of Corydon and Phillida,' made in 3 parts of purpose. The song, as well for the worth of the dittie, as the aptnesse of the note thereto applied, it pleased her Highnesse after it had been once sung to command it againe, and highly to grace it with her cheerefull acceptance and commendation. "THE PLOWMAN'S SONG. "In the merrie month of May,' &c." The splendour and magnificence of Elizabeth's reign is no where more strongly painted than in these little diaries of some of her summer excursions to the houses of her nobility; nor could a more acceptable present be given to the world, than a republication of a select number of such details as this of the entertainment at Elvetham, that at Killingworth, &c. &c. which so strongly mark the spirit of the times, and present us with scenes so very remote from modern manners. Since the above was written, the public hath been gratified with a most complete work on the foregoing subject, intitled "The Progresses and Public Processions of Queen Elizabeth, &c. By John Nichols, F.A.S. Edinb. and Perth, 1788," 2 Vols. 4to. XI. LITTLE MUSGRAVE AND LADY BARNARD. THIS ballad is ancient, and has been popular; we find it quoted in many old plays. See Beaum. and Fletcher's "Knight of the Burning Pestle," 4to. 1613, Act v. "The Varietie," a comedy, 12mo. 1649, Act iv. &c. In Sir William Davenant's play, "The Witts," A. iii. a gallant thus boasts of himself. "Limber and sound! besides I sing Musgrave, And for Chevy-chace no lark comes near me." In the Pepys Collection, Vol. iii. p. 314, is an imitation of this old song, in 33 stanzas, by a more modern pen, with many alterations, but evidently for the worse. This is given from an old printed copy in the British Museum, with corrections; some of which are from a fragment in the editor's folio MS. It is also printed in Dryden's Collection of Miscellaneous Poems. As it fell out on a highe holye daye, When yong men and maides together do goe Little Musgràve came to the church door, 5 But he had more mind of the fine womèn, And some of them were clad in greene, And then came in my lord Barnardes wife, She cast an eye on little Musgràve As bright as the summer sunne : O then bethought him little Musgràve, 66 10 15 |