Soap Opera and Women's Talk: The Pleasure of ResistanceSAGE Publications, 1994/05/17 - 212 ページ How can such an apparently trivial or even exploitative genre as soap opera be associated with the notion of empowerment for its viewers? Mary Ellen Brown argues that soap operas create and support a social network in which talk becomes a form of resistive pleasure. Undertaken as an ethnographic study in which the author is a member of the group, a fan and also a researcher, this book shows that engagement with soap operas creates an opening for women to serve as wedges into the dominant culture. This exploration into how hegemonic notions of feminity and womanhood are developed at one cultural site and how they can be accepted, resisted and negotiated in the process of consumption not only claims that hegemony is leaky, bu |
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actors American daytime soap analysis audience theory Australian Bobby Grant boundaries British Film Institute construction context conventions conversation Corie Coronation Street criticism cultural studies daytime soap operas discuss dominant culture dominant discourse Doris EastEnders economic Ellen ethnographic example feminine discourse feminism feminist Fiske gender genre girls hegemonic ideology interview involved Irna Phillips issues knowledge Laughter liberal feminism lives look male McRobbie meaning narrative notion oppression oral culture particularly patriarchal plot political position problems production Radway relation relationship resistive pleasure resistive reading Rita role romance Rowena Wallace serial sexual soap opera audiences soap opera fans soap opera fanship soap opera gossip soap opera networks soap opera viewers social society Sons and Daughters spoken text story structures subordinated groups teenage television Thelma & Louise theory tion viewing Western Australia woman women women's culture women's movement women's talk Yeah