Beyond Tragedy: Structure & Experience in Shakespeare's Romances, 第 10 巻University Press of Kentucky, 1981/01/01 - 150 ページ In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
目次
Tragedy and the Intimations of Romance | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance | 49 |
Prosperos Art and the Descent of Romance | 92 |
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A. F. Pollard absolute close absorption action Acts I-III Alexandrian Alonso Antony and Cleopatra Antony's appears argues Ariel audience audience's Autolycus awareness Banquo's Caesar Caliban characters close of tragedy Cloten Cordelia Cranmer Cymbeline death defines diverse divine dramatic Edgar enacts ence eternal example experience of romance fall Felperin Ferdinand and Miranda Florizel Foxe's Gonzalo Gower Guiderius heaven Henry VIII Henry's Hermione hierophany human Iachimo III.iii Imogen interpretation issue Katherine King Lear Leontes Leontes's Macbeth mance Marina masque Moreover movement Northrop Frye oracle paradoxically parody past pastoral comedy patience Paulina Perdita Pericles play play's plot Polixenes Posthumus present Prospero Prospero's art Protestantism providential realm beyond tragedy reversible rience romance conventions says scene sense Shakespeare's romances speaks speech Stephano storm symbolic Tempest thee Thomas Cranmer thou three acts tion trag tragic understanding Univ V.iii vision Wilson Knight Winter's Tale Wolsey wrack