The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 ページ |
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... Characters- Women - Addresses , essays , lectures . 2. Women in literature - Addresses , essays , lectures . I. Lenz , Carolyn Ruth Swift , 1928- II . Greene , Gayle , 1943- III . Neely , Carol Thomas , 1939- IV . Feminist criticism of ...
... Characters- Women - Addresses , essays , lectures . 2. Women in literature - Addresses , essays , lectures . I. Lenz , Carolyn Ruth Swift , 1928- II . Greene , Gayle , 1943- III . Neely , Carol Thomas , 1939- IV . Feminist criticism of ...
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... Characters as Actors and Audience Marianne Novy A Penchant for Perdita on the Eighteenth - Century Stage Irene G. Dash The Miranda Trap : Sexism and Racism in Shakespeare's Tempest Lorie Jerrell Leininger " O sacred , shadowy , cold ...
... Characters as Actors and Audience Marianne Novy A Penchant for Perdita on the Eighteenth - Century Stage Irene G. Dash The Miranda Trap : Sexism and Racism in Shakespeare's Tempest Lorie Jerrell Leininger " O sacred , shadowy , cold ...
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... characters , are not necessarily feminist nor should we demand that they be so . Feminist criticism is more a matter of perspective than of subject matter or gender . Feminists assume that women are equal to men but that their roles ...
... characters , are not necessarily feminist nor should we demand that they be so . Feminist criticism is more a matter of perspective than of subject matter or gender . Feminists assume that women are equal to men but that their roles ...
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... characters , compensating for the bias in a critical tradition that has tended to emphasize male characters , male themes , and male fantasies , four motifs are prominent . The critics in this volume liberate Shakespeare's women from ...
... characters , compensating for the bias in a critical tradition that has tended to emphasize male characters , male themes , and male fantasies , four motifs are prominent . The critics in this volume liberate Shakespeare's women from ...
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... characters the women are complex and flawed , like them capable of passion and pain , growth and decay . Feminist critics also explore how productions , necessitating interpreta- tions that limit the text , may stereotype or minimize ...
... characters the women are complex and flawed , like them capable of passion and pain , growth and decay . Feminist critics also explore how productions , necessitating interpreta- tions that limit the text , may stereotype or minimize ...
目次
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
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