The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 ページ |
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... play , and might play in literature as well as in culture . Looking at Shakespeare from this perspective , our contributors see and celebrate his works afresh . Feminist criticism of Shakespeare begins with an individ- ual reader ...
... play , and might play in literature as well as in culture . Looking at Shakespeare from this perspective , our contributors see and celebrate his works afresh . Feminist criticism of Shakespeare begins with an individ- ual reader ...
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... play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of female friendship in Shakespeare . They find that ...
... play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of female friendship in Shakespeare . They find that ...
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... play by giving her character its due weight in the action " ( p . 61 ) . But she has fewer reservations about Desdemona's dying forgiveness of Othello than would most contemporary feminist readers . A more recent critic , Agnes Mure ...
... play by giving her character its due weight in the action " ( p . 61 ) . But she has fewer reservations about Desdemona's dying forgiveness of Othello than would most contemporary feminist readers . A more recent critic , Agnes Mure ...
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... play - or read - the woman's part in their lives while examining it in the plays and redefining it . The multiple implications of the phrase " the woman's part , " which gives this anthology its title and theme , suggest the manifold ...
... play - or read - the woman's part in their lives while examining it in the plays and redefining it . The multiple implications of the phrase " the woman's part , " which gives this anthology its title and theme , suggest the manifold ...
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... play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me . Therefore I know she is about my height And at that time I made her weep agood ...
... play the woman's part , And I was trimmed in Madam Julia's gown , Which served me as fit , by all men's judgments , As if the garment had been made for me . Therefore I know she is about my height And at that time I made her weep agood ...
目次
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
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