The Woman's Part: Feminist Criticism of ShakespeareCarolyn Ruth Swift Lenz, Gayle Greene, Carol Thomas Neely University of Illinois Press, 1980 - 348 ページ |
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... played , do play , and might play in literature as well as in culture . Looking at Shakespeare from this perspective , our contributors see and celebrate his works afresh . Feminist criticism of Shakespeare begins with an individ- ual ...
... played , do play , and might play in literature as well as in culture . Looking at Shakespeare from this perspective , our contributors see and celebrate his works afresh . Feminist criticism of Shakespeare begins with an individ- ual ...
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... play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of female friendship in Shakespeare . They find that ...
... play's first three acts and with them the powerful roles of Hermione and Paulina . Restoring women to the plays , feminist critics call atten- tion to the importance and intensity of female friendship in Shakespeare . They find that ...
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... plays as well reveal the high cost of patriarchal values ; the men who uphold them atrophy , and the women , whether ... play in the differ- ent genres , another topic that repeatedly engages the attention of feminist critics of ...
... plays as well reveal the high cost of patriarchal values ; the men who uphold them atrophy , and the women , whether ... play in the differ- ent genres , another topic that repeatedly engages the attention of feminist critics of ...
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... plays for corroboration or refutation , are forced to recognize the highly problematic relationship between life and art . The plays are aesthetic creations as well as social documents ; historical data cannot simply be imported into ...
... plays for corroboration or refutation , are forced to recognize the highly problematic relationship between life and art . The plays are aesthetic creations as well as social documents ; historical data cannot simply be imported into ...
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... play , but contributes to her characterization as a dependent , solic- itous woman . It also emphasizes the ... plays , exploits the disjunction between the male characters ' fantasies about women and the portrayed nature of the female ...
... play , but contributes to her characterization as a dependent , solic- itous woman . It also emphasizes the ... plays , exploits the disjunction between the male characters ' fantasies about women and the portrayed nature of the female ...
目次
Female Sexuality as Power in Shakespeares Plays | 17 |
The Roles of Women in Richard III | 35 |
Shakespeare and the Soil of Rape | 56 |
Comic Structure and the Humanizing of Kate in The Taming of the Shrew | 65 |
Much Ado and the Distrust of Women | 79 |
How a Girl Can Be Smart and Still Popular | 100 |
Intimate Conversations between Women in Shakespeares Plays | 117 |
A kind of self | 133 |
What should such a fool Do with so good a woman? | 211 |
Infirm of purpose | 240 |
Shakespeares Female Characters as Actors and Audience | 256 |
A Penchant for Perdita on the Eighteenth Century English Stage | 271 |
Sexism and Racism in Shakespeares Tempest | 285 |
Shakespeares Imperiled and Chastening Daughters of Romance | 295 |
A Selective Bibliography | 314 |
Contributors | 337 |
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