Roman Shakespeare: Warriors, Wounds and WomenRoutledge, 2013/04/15 - 208 ページ In the first full-length study of Shakespeare's Roman plays, Coppélia Kahn brings to these texts a startling, critical perspective which interrogates the gender ideologies lurking behind 'Roman virtue'. |
目次
The Sexual Politics of Subjectivity in Lucrece | |
The daughters Seduction in Titus Andronicus or Writing is the Best | |
Mettle and Melting Spirits in Julius Caesar | |
Antonys Wound | |
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action Adelman Aeneid agonistic Antony and Cleopatra Antony's argues blood body Brutus's Cato Cato's characters chastity conspirators constancy construction contrast Coppélia Coriolanus cultural Cymbeline daughter death defeat difference discourse dominant dramatic emulation English Eros evokes exemplars father female feminine feminist criticism feminized fetish gender gestures hand hero heroic homosocial honor husband identified identity ideology interpretation Jonathan Bate Julius Caesar Kahn kill Latin Lavinia Livy Lucrece Lucrece's male manly virtue Marcus masculine maternal means metaphor mother murder opposition Ovid Paster patriarchal Philomel play's Plutarch poem political Pompey Portia Procne queen rape Renaissance republic republican resistance revenge rhetoric rival rivalry role Roman history Roman plays Rome Rome's says scene sense sexual Shakespeare Shakespeare's Roman shame signifier social sons specifically story suggests suicide sword symbolic Tamora Tarquin Tereus textual theatre thou Titus Andronicus Titus's triumph Verginia Vesta Volumnia warrior woman womb women wound