Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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124 ページ
... Hermione in prison , adds relatively little to the deeper mean- ings of the play . Hermione herself continues to be presented as a person naturally and spontaneously good , and her good- ness is contrasted with the sombre nature of her ...
... Hermione in prison , adds relatively little to the deeper mean- ings of the play . Hermione herself continues to be presented as a person naturally and spontaneously good , and her good- ness is contrasted with the sombre nature of her ...
189 ページ
... Hermione , with the statement that the queen's ' dead likeness ' , like her ' peerless life ' , has a unique quality : Excels whatever yet you look'd upon Or hand of man hath done . For this reason , as a work of art which yet excels ...
... Hermione , with the statement that the queen's ' dead likeness ' , like her ' peerless life ' , has a unique quality : Excels whatever yet you look'd upon Or hand of man hath done . For this reason , as a work of art which yet excels ...
191 ページ
... Hermione removes any doubt as to the true scope of the ' resurrection ' we are about to witness : ' Tis time , descend ; be stone no more ; approach ; Strike all that look upon with marvel . Come , I'll fill your grave up ; stir , nay ...
... Hermione removes any doubt as to the true scope of the ' resurrection ' we are about to witness : ' Tis time , descend ; be stone no more ; approach ; Strike all that look upon with marvel . Come , I'll fill your grave up ; stir , nay ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words