Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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140 ページ
... Perdita , indeed , balances the sense of delicate , poetic beauty against a richer , more complex content . The theme of spring , of life reborn but not yet come to full maturity , is stressed from the first ; it is explicit in ...
... Perdita , indeed , balances the sense of delicate , poetic beauty against a richer , more complex content . The theme of spring , of life reborn but not yet come to full maturity , is stressed from the first ; it is explicit in ...
144 ページ
Derek Traversi. pressure of external events already foreseen by Perdita has taken its course , the time will be ripe for a ' nuptial ' of which this pastoral scene is no more than an anticipation . The following episode , after Perdita ...
Derek Traversi. pressure of external events already foreseen by Perdita has taken its course , the time will be ripe for a ' nuptial ' of which this pastoral scene is no more than an anticipation . The following episode , after Perdita ...
150 ページ
... PERDITA : FLORIZEL : O , these I lack , To make you garlands of ; and my sweet friend , To strew him o'er and o'er . What , like a corse ? PERDITA : No , like a bank for love to lie and play on ; Not like a corse ; or if , not to be ...
... PERDITA : FLORIZEL : O , these I lack , To make you garlands of ; and my sweet friend , To strew him o'er and o'er . What , like a corse ? PERDITA : No , like a bank for love to lie and play on ; Not like a corse ; or if , not to be ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words