Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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147 ページ
... civilized soil and a spiritual end for their complete flower- ing . The ' bark of baser kind ' the adjective is now clearly indicative of the lack of the civilized graces - is made to conceive ' by ' a bud of nobler race ' : the idea of ...
... civilized soil and a spiritual end for their complete flower- ing . The ' bark of baser kind ' the adjective is now clearly indicative of the lack of the civilized graces - is made to conceive ' by ' a bud of nobler race ' : the idea of ...
183 ページ
... civilized , courtly graces with the universal simplici- ties of life as their crown and goal . The ' nobleness ' of Perdita is bestowed upon her by ' nature ' , and stands out in contrast to her supposed humble ' breeding ' . One of the ...
... civilized , courtly graces with the universal simplici- ties of life as their crown and goal . The ' nobleness ' of Perdita is bestowed upon her by ' nature ' , and stands out in contrast to her supposed humble ' breeding ' . One of the ...
251 ページ
... civilized lives after the final reconciliation it is left by all , except those whose nature debars them from playing a part in the ' brave new world ' of beings at once spiritualized and social to which they are now being offered entry ...
... civilized lives after the final reconciliation it is left by all , except those whose nature debars them from playing a part in the ' brave new world ' of beings at once spiritualized and social to which they are now being offered entry ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words