Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... contrast between true ' honour ' and its parody , the respect given to place and courtly advancement . As usual in Cymbeline , the working out of the contrast in terms of imagery is something less than fully realized . Cloten , in yet ...
... contrast between true ' honour ' and its parody , the respect given to place and courtly advancement . As usual in Cymbeline , the working out of the contrast in terms of imagery is something less than fully realized . Cloten , in yet ...
135 ページ
... contrast between pastoral simplicity and the complexity of court life ; this contrast , in turn , is to become a secondary but per- sistent theme in the latter part of the play . The Shepherd , whilst describing himself as ' not bookish ...
... contrast between pastoral simplicity and the complexity of court life ; this contrast , in turn , is to become a secondary but per- sistent theme in the latter part of the play . The Shepherd , whilst describing himself as ' not bookish ...
186 ページ
... contrast between the ' dash ' of unregenerate humanity and the theme of ' grace ' is clearly deliberate . The following mention of the sea - sickness of the shepherd's daughter contributes similarly to this sense of contrast . His ...
... contrast between the ' dash ' of unregenerate humanity and the theme of ' grace ' is clearly deliberate . The following mention of the sea - sickness of the shepherd's daughter contributes similarly to this sense of contrast . His ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words