Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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44 ページ
... conventions to his own ends . The result is a play which , although notably uneven in execution , represents a stage of ... convention and the under- lying purpose of Cymbeline only emerges gradually in the 1. Points of contact with ...
... conventions to his own ends . The result is a play which , although notably uneven in execution , represents a stage of ... convention and the under- lying purpose of Cymbeline only emerges gradually in the 1. Points of contact with ...
66 ページ
... convention , or to use convention for the expression of a deeper artistic deeper artistic purpose , of which the romantic forms are simply in a sense the vehicle . Imogen herself , according to our reading of the early action , is in ...
... convention , or to use convention for the expression of a deeper artistic deeper artistic purpose , of which the romantic forms are simply in a sense the vehicle . Imogen herself , according to our reading of the early action , is in ...
159 ページ
... convention rather than the reflection of any deep reality . In Perdita , however , it is distinguished by being consistent with everything else in her character . From the first , she has asserted her love for Florizel with forthright ...
... convention rather than the reflection of any deep reality . In Perdita , however , it is distinguished by being consistent with everything else in her character . From the first , she has asserted her love for Florizel with forthright ...
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多く使われている語句
action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words