Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... course , this outpouring of spontaneous life moves on the margin of social forms . It has indeed a predatory aspect comically expressed in his first action , the picking of the Clown's pocket ; but this itself is , to some degree , a ...
... course , this outpouring of spontaneous life moves on the margin of social forms . It has indeed a predatory aspect comically expressed in his first action , the picking of the Clown's pocket ; but this itself is , to some degree , a ...
144 ページ
... course be a prelude to the restoration of ' grace ' . It is this suggestion of a possible redeeming quality that gives force to Perdita's observation that these are flowers which keep- Seeming and savour all the winter long , implying ...
... course be a prelude to the restoration of ' grace ' . It is this suggestion of a possible redeeming quality that gives force to Perdita's observation that these are flowers which keep- Seeming and savour all the winter long , implying ...
207 ページ
... course , will occur again to express the quality of Miranda's rapture ) is here given a definite supernatural note which is in no sense foreign to the main conception . The idea of nobility exalted to something like a state of divinity ...
... course , will occur again to express the quality of Miranda's rapture ) is here given a definite supernatural note which is in no sense foreign to the main conception . The idea of nobility exalted to something like a state of divinity ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words