Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... facts nor , which is more impor- tant , on a proper understanding of the nature of the creative process at work in ... fact that it springs out of the poetry as an extension of the word as spoken on the stage ; that is why abstract ...
... facts nor , which is more impor- tant , on a proper understanding of the nature of the creative process at work in ... fact that it springs out of the poetry as an extension of the word as spoken on the stage ; that is why abstract ...
20 ページ
... fact , to a recognizably allegorical conception of his story . ' Son and servant ' to the will of the ' gods ' who are so frequently invoked in the unquestionably ' Shakes- pearean ' passages to follow , he seeks to satisfy desires ...
... fact , to a recognizably allegorical conception of his story . ' Son and servant ' to the will of the ' gods ' who are so frequently invoked in the unquestionably ' Shakes- pearean ' passages to follow , he seeks to satisfy desires ...
90 ページ
... fact of his imprisonment ; liberation he sees in the acceptance of mortality and of the— gyves , Desired more than constrain'd , which are its external equivalent . The ' penitent instrument ' , in fact , which is now the mainspring of ...
... fact of his imprisonment ; liberation he sees in the acceptance of mortality and of the— gyves , Desired more than constrain'd , which are its external equivalent . The ' penitent instrument ' , in fact , which is now the mainspring of ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words