Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... King Lear , in so many ways Shakespeare's central masterpiece , these possibilities are at last fully realized . The integration of plot and character is more complete than ever before . There is a very real sense , indeed , in which ...
... King Lear , in so many ways Shakespeare's central masterpiece , these possibilities are at last fully realized . The integration of plot and character is more complete than ever before . There is a very real sense , indeed , in which ...
35 ページ
... King Lear , when the aged king , after having been exposed to the chastening and purifying action of the elements , is restored to Cordelia . Here , however , factual possibility is given a purely secondary place , and the episode needs ...
... King Lear , when the aged king , after having been exposed to the chastening and purifying action of the elements , is restored to Cordelia . Here , however , factual possibility is given a purely secondary place , and the episode needs ...
230 ページ
... king . ( 1. ii . ) From this we may learn more than one thing fundamental to the play . In the first place , the poetry which we admire in Caliban was given to him , at least in part , by Prospero ; the instinctive appreciation was , if ...
... king . ( 1. ii . ) From this we may learn more than one thing fundamental to the play . In the first place , the poetry which we admire in Caliban was given to him , at least in part , by Prospero ; the instinctive appreciation was , if ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words