Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... lines as being at once ' a thing of pity ' and the inheritor of a great lineage ; for we are told of him that— Great nature , like his ancestry , Moulded the stuff so fair , That he deserv'd the praise o ' the world , As great Sicilius ...
... lines as being at once ' a thing of pity ' and the inheritor of a great lineage ; for we are told of him that— Great nature , like his ancestry , Moulded the stuff so fair , That he deserv'd the praise o ' the world , As great Sicilius ...
178 ページ
... lines is one which seems at this time to have been significant to Shakespeare , who repeated it , or something very similar , in the lines from Ariel's great speech in The Tempest : ... for which foul deed The powers , delaying , not ...
... lines is one which seems at this time to have been significant to Shakespeare , who repeated it , or something very similar , in the lines from Ariel's great speech in The Tempest : ... for which foul deed The powers , delaying , not ...
260 ページ
... lines of the speech , responding to the evocation of perfection just put before her by Ferdinand , unite reality to imagination in a common gesture of dedication . In lines such as these , the exaltation of love first undertaken ...
... lines of the speech , responding to the evocation of perfection just put before her by Ferdinand , unite reality to imagination in a common gesture of dedication . In lines such as these , the exaltation of love first undertaken ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words