Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... mind of the central figure . As father , Lear produces in his daughters contrasted reactions which reflect different and contradictory facets of his own mind ; the firmness with which Cordelia clings with an unadorned simplicity to the ...
... mind of the central figure . As father , Lear produces in his daughters contrasted reactions which reflect different and contradictory facets of his own mind ; the firmness with which Cordelia clings with an unadorned simplicity to the ...
117 ページ
... mind is substantially complete . In the following exchange with Camillo , his concern is not to dis- cover the truth , but to confirm what he holds in his own mind to be certain . In his perversity , indeed , and not unlike Othello ...
... mind is substantially complete . In the following exchange with Camillo , his concern is not to dis- cover the truth , but to confirm what he holds in his own mind to be certain . In his perversity , indeed , and not unlike Othello ...
217 ページ
... mind , becomes the inspiration of the plot . He is , indeed , a force , a moving principle , and , as such , Pros- pero's declared enemy . The speed with which his mind habitually moves is conveyed in the motion of his speech . When ...
... mind , becomes the inspiration of the plot . He is , indeed , a force , a moving principle , and , as such , Pros- pero's declared enemy . The speed with which his mind habitually moves is conveyed in the motion of his speech . When ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words