Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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32 ページ
... need for acceptance , conformity to purposes still only dimly apprehended in the course of exposure to tragic ... needs to be advanced with caution . The contrast between Marina's innocence and the trials to which she is subjected ...
... need for acceptance , conformity to purposes still only dimly apprehended in the course of exposure to tragic ... needs to be advanced with caution . The contrast between Marina's innocence and the trials to which she is subjected ...
59 ページ
... needs to be removed before her love for Posthumus can realize its full human possibilities . Cloten's following dialogue with Imogen , to which all this leads , reminds us that her ' honour ' , though helpless in sleep and bound , in ...
... needs to be removed before her love for Posthumus can realize its full human possibilities . Cloten's following dialogue with Imogen , to which all this leads , reminds us that her ' honour ' , though helpless in sleep and bound , in ...
251 ページ
... needs to be proved in operation . For this purpose - and really for this purpose alone the various actors in the forgotten story of Naples and Milan have been brought together through the providential action of the storm upon this most ...
... needs to be proved in operation . For this purpose - and really for this purpose alone the various actors in the forgotten story of Naples and Milan have been brought together through the providential action of the storm upon this most ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words