Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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61 ページ
... seems to hesitate , as always , between a realistic and a symbolic function , seems not to belong fully either to the spirit of the earlier plays or to that of the final comedies . His dramatic mode of being , whilst recalling both , is ...
... seems to hesitate , as always , between a realistic and a symbolic function , seems not to belong fully either to the spirit of the earlier plays or to that of the final comedies . His dramatic mode of being , whilst recalling both , is ...
76 ページ
... seems to be Shakespeare's intention here in his handling of the romantic conventions ; except that in this part of Cymbeline , unlike The Winter's Tale , the prevailing tone seems to be still that of a sentimentality which is its own ...
... seems to be Shakespeare's intention here in his handling of the romantic conventions ; except that in this part of Cymbeline , unlike The Winter's Tale , the prevailing tone seems to be still that of a sentimentality which is its own ...
180 ページ
... seems to have broken a relationship to which he was ' tied in duty ' , and that the object of his choice seems not to be so rich ( the very choice of the word carries its own weight ) in moral ' worth ' and princely standing as in the ...
... seems to have broken a relationship to which he was ' tied in duty ' , and that the object of his choice seems not to be so rich ( the very choice of the word carries its own weight ) in moral ' worth ' and princely standing as in the ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words