Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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87 ページ
... stand ' : To darkness fleet souls that fly backwards . Stand ; Or we are Romans , and will give you that Like beasts which you shun beastly , and may save But to look back in frown : stand , stand ! The pattern of words and rhythms at ...
... stand ' : To darkness fleet souls that fly backwards . Stand ; Or we are Romans , and will give you that Like beasts which you shun beastly , and may save But to look back in frown : stand , stand ! The pattern of words and rhythms at ...
187 ページ
... stands out , in a contrast at once comic and pathetic , against a reality that cannot be assimilated completely into any symbolic design , however gracious and inclusive . As he swears on behalf of Autolycus , he knows that his oath is ...
... stands out , in a contrast at once comic and pathetic , against a reality that cannot be assimilated completely into any symbolic design , however gracious and inclusive . As he swears on behalf of Autolycus , he knows that his oath is ...
247 ページ
... stand to , and feed , Although my last : no matter , since I feel The best is past ; whilst Sebastian , equally true to his own nature , is cynically concerned with nothing but the material satisfaction ... stands outside the 247 THE TEMPEST.
... stand to , and feed , Although my last : no matter , since I feel The best is past ; whilst Sebastian , equally true to his own nature , is cynically concerned with nothing but the material satisfaction ... stands outside the 247 THE TEMPEST.
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words