Shakespeare: the Last PhaseHarcourt, Brace, 1955 - 272 ページ |
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... tragedy of the hero . With character and plot thus brought into unity , and both sub- jected to the vast unifying range of Shakespeare's mature poetry , the possibilities of drama are extended to achieve- ments otherwise inconceivable ...
... tragedy of the hero . With character and plot thus brought into unity , and both sub- jected to the vast unifying range of Shakespeare's mature poetry , the possibilities of drama are extended to achieve- ments otherwise inconceivable ...
15 ページ
... tragedy whose various stages correspond , in the external action , to a closely - knit development . The first stage in this develop- ment , occupying roughly the first two Acts , deals with the entry of uncontrolled passion as a ...
... tragedy whose various stages correspond , in the external action , to a closely - knit development . The first stage in this develop- ment , occupying roughly the first two Acts , deals with the entry of uncontrolled passion as a ...
269 ページ
... tragedy : very differ- ent characters but the same boundless emotion of trans- figuring love . The lines which follow are completely typical of Shake- speare's latest manner . Upon their poetic quality depends the success of the ...
... tragedy : very differ- ent characters but the same boundless emotion of trans- figuring love . The lines which follow are completely typical of Shake- speare's latest manner . Upon their poetic quality depends the success of the ...
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action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast convention course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words