Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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107 ページ
... able to work on intensity of feel- ing , you cannot evaluate its honesty through introspection . After all , when in life do we ever monitor how truthful our thoughts and feelings are ? A dramatic character certainly does not want this ...
... able to work on intensity of feel- ing , you cannot evaluate its honesty through introspection . After all , when in life do we ever monitor how truthful our thoughts and feelings are ? A dramatic character certainly does not want this ...
213 ページ
... able to tell when a gesture is spontaneous and right for the character , rather than a case of the actor trying too hard ; and ( 2 ) being able to give direction that the actor would have found later anyway , when more in character ...
... able to tell when a gesture is spontaneous and right for the character , rather than a case of the actor trying too hard ; and ( 2 ) being able to give direction that the actor would have found later anyway , when more in character ...
229 ページ
... able to do the latter : you can't get " choked up " literally if you have to speak . Bbbb : To practice avoiding the throat while producing sound , put your lips together and , supporting from your diaphragm , try a Bronx cheer without ...
... able to do the latter : you can't get " choked up " literally if you have to speak . Bbbb : To practice avoiding the throat while producing sound , put your lips together and , supporting from your diaphragm , try a Bronx cheer without ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York