Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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xi ページ
... actually the part that is not the cup . It is the void that can be filled that gives the cup its shape and function , and hence its " cup - ness . " Human beings are vessels , too . The theater is a celebration of , and investigation ...
... actually the part that is not the cup . It is the void that can be filled that gives the cup its shape and function , and hence its " cup - ness . " Human beings are vessels , too . The theater is a celebration of , and investigation ...
3 ページ
... actually broken , playing the audience does not mean breaking your communication with the others onstage ; while address- ing another character , you also speak for the audience's benefit , although you may not be looking at them . You ...
... actually broken , playing the audience does not mean breaking your communication with the others onstage ; while address- ing another character , you also speak for the audience's benefit , although you may not be looking at them . You ...
185 ページ
... actually tends to be more like street talk . We don't conceive conversation in simple , clear sentences , but in ideas , which can tumble one after the other faster than we can talk ( as your record- ings of overheard conversation have ...
... actually tends to be more like street talk . We don't conceive conversation in simple , clear sentences , but in ideas , which can tumble one after the other faster than we can talk ( as your record- ings of overheard conversation have ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York