Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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84 ページ
... Emotion Memory You may already be familiar with emotion memory , the mapping of personal experience into the character . The process entails recalling some emotional event from your past by finding a device to trigger the feeling . Do ...
... Emotion Memory You may already be familiar with emotion memory , the mapping of personal experience into the character . The process entails recalling some emotional event from your past by finding a device to trigger the feeling . Do ...
85 ページ
... emotional capacity , including : Study emotion memory intensely , which implies that you also : Become a subjective , unbridled observer of ( and participant in ) life . Let yourself laugh , cry , be afraid , and so forth , without ...
... emotional capacity , including : Study emotion memory intensely , which implies that you also : Become a subjective , unbridled observer of ( and participant in ) life . Let yourself laugh , cry , be afraid , and so forth , without ...
106 ページ
... emotion . ( See Musical Language , pp . 192-194 ) Someone monitors to ensure that the actors keep breathing , since in life it is our tendency , at sudden bursts of emotion , to skip a breath . Onstage , try to do precisely the opposite ...
... emotion . ( See Musical Language , pp . 192-194 ) Someone monitors to ensure that the actors keep breathing , since in life it is our tendency , at sudden bursts of emotion , to skip a breath . Onstage , try to do precisely the opposite ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York