Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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14 ページ
... eyes are the window to the soul . Find ways to share the back of your eyes with the audience to involve them , especially at your character's richest moments . See if you can get away with looking right at the audience during those ...
... eyes are the window to the soul . Find ways to share the back of your eyes with the audience to involve them , especially at your character's richest moments . See if you can get away with looking right at the audience during those ...
142 ページ
... eyes or stare at a spot on the ceiling , but don't let your eyes start wandering around . What you are going to do is fill your furnace of emotions and images , word by word . Say the first word of your speech aloud . Then think about ...
... eyes or stare at a spot on the ceiling , but don't let your eyes start wandering around . What you are going to do is fill your furnace of emotions and images , word by word . Say the first word of your speech aloud . Then think about ...
208 ページ
... eyes . Lysander : Ay me ! for aught that I could ever read , Could ever hear by tale or history , The course of true love never did run smooth ; But either it was different in blood- Hermia : O cross ! too high to be enthrall'd to [ low ] ...
... eyes . Lysander : Ay me ! for aught that I could ever read , Could ever hear by tale or history , The course of true love never did run smooth ; But either it was different in blood- Hermia : O cross ! too high to be enthrall'd to [ low ] ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York