Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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xii ページ
... feel , it's about what you get the audience to feel ; it's not merely emoting , it's evoking , provoking , invoking , and convoking . The secret to achieving all this lies not simply in performing in front of , but in participating with ...
... feel , it's about what you get the audience to feel ; it's not merely emoting , it's evoking , provoking , invoking , and convoking . The secret to achieving all this lies not simply in performing in front of , but in participating with ...
89 ページ
... feel , and look at it from all sorts of different angles . Then put it in your hand and leave it there . Feel it and look at it in this one position . Study its sensorial impression on you . Then put it down , and re - create it in your ...
... feel , and look at it from all sorts of different angles . Then put it in your hand and leave it there . Feel it and look at it in this one position . Study its sensorial impression on you . Then put it down , and re - create it in your ...
213 ページ
... feel free to move when you must . " This is an idealized point of departure , since every actor applies the rule differently . Some actors will be less in character than others , and some will feel obliged to cross even when they do not ...
... feel free to move when you must . " This is an idealized point of departure , since every actor applies the rule differently . Some actors will be less in character than others , and some will feel obliged to cross even when they do not ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York