Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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152 ページ
... goal may be identifiable , like blocking , or one of the V's ; or it may be some ineffable quality you are trying to attain . ( Remember , if our goal is to get from X to Y , we ... Goal : Example : Goal : Example : 152 PLAYING THE AUDIENCE.
... goal may be identifiable , like blocking , or one of the V's ; or it may be some ineffable quality you are trying to attain . ( Remember , if our goal is to get from X to Y , we ... Goal : Example : Goal : Example : 152 PLAYING THE AUDIENCE.
153 ページ
... Goal : Example : Goal : Example : Goal : The speed - through . Mental energy , accuracy , pace . The First Reading exercise ( p . 92 ) and similar ones that embrace the present reality as well as the play's reality . Developing the ...
... Goal : Example : Goal : Example : Goal : The speed - through . Mental energy , accuracy , pace . The First Reading exercise ( p . 92 ) and similar ones that embrace the present reality as well as the play's reality . Developing the ...
214 ページ
... goal of the rehearsal period is to turn that vulnerability into something glorious rather than neurotic . All hands contribute to this effort . So with rare exception , which you will have to play by ear , if the star has script in hand ...
... goal of the rehearsal period is to turn that vulnerability into something glorious rather than neurotic . All hands contribute to this effort . So with rare exception , which you will have to play by ear , if the star has script in hand ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York