Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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83 ページ
... happened to click , both onstage and with the audi- ence . Everyone in the theater could tell they were participating in a unique , almost miraculous ... happen again for the first ( and only ) time rather than making it CONNECTION 83.
... happened to click , both onstage and with the audi- ence . Everyone in the theater could tell they were participating in a unique , almost miraculous ... happen again for the first ( and only ) time rather than making it CONNECTION 83.
116 ページ
... happen next ? ” You would tailor your acting choices , then , to this audience through - line . The time from each ... happens : just the facts . But plot suggests the pattern of " this happens and therefore that happens , which then ...
... happen next ? ” You would tailor your acting choices , then , to this audience through - line . The time from each ... happens : just the facts . But plot suggests the pattern of " this happens and therefore that happens , which then ...
176 ページ
... happen , for which no one need interpose his will . ( Ex- ample : “ The sun will rise tomorrow . " ) The future imperative ( or emphatic future ) is used when a statement is not necessarily true , but someone's will must be interposed ...
... happen , for which no one need interpose his will . ( Ex- ample : “ The sun will rise tomorrow . " ) The future imperative ( or emphatic future ) is used when a statement is not necessarily true , but someone's will must be interposed ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York