Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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... merely a portrayal of it . In other words , the theatrical truth of ancient Greek drama was what we might call " ultra - verisimilitude " or " sur - realism ” not in the sense of dream reality , but of higher reality . This could ...
... merely a portrayal of it . In other words , the theatrical truth of ancient Greek drama was what we might call " ultra - verisimilitude " or " sur - realism ” not in the sense of dream reality , but of higher reality . This could ...
61 ページ
... merely include the factual but also infuse the physical and visceral . When you look at paintings or photographs of the period , try to enter them , not merely observe . When you read manuals instructing you in the proper way to shake ...
... merely include the factual but also infuse the physical and visceral . When you look at paintings or photographs of the period , try to enter them , not merely observe . When you read manuals instructing you in the proper way to shake ...
138 ページ
... merely believable , or what merely works : If it ain't broke - break it ! This is a fundamental principle of brilliance in all the arts : if you settle for mere competence , then mediocrity is just around the corner . Fight , then , to ...
... merely believable , or what merely works : If it ain't broke - break it ! This is a fundamental principle of brilliance in all the arts : if you settle for mere competence , then mediocrity is just around the corner . Fight , then , to ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York