Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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94 ページ
... Once everyone is , the group is ready to move . Step 2 : The beginner goes into the middle of the circle . How do you choose the beginner ? Sometimes one is assigned . I prefer not knowing ahead of time , letting the beginner be whoever ...
... Once everyone is , the group is ready to move . Step 2 : The beginner goes into the middle of the circle . How do you choose the beginner ? Sometimes one is assigned . I prefer not knowing ahead of time , letting the beginner be whoever ...
97 ページ
... once you have achieved it , or been thwarted by another char- acter , you assimilate the revised circumstances , which inform your next local objective , which leads to the rest of the play . So whenever you light a ciga- rette , open a ...
... once you have achieved it , or been thwarted by another char- acter , you assimilate the revised circumstances , which inform your next local objective , which leads to the rest of the play . So whenever you light a ciga- rette , open a ...
217 ページ
... once : work on one thing at a time . The baby has just been born ; it will take a while for it to learn to walk . Pace As you approach opening night , the pace you strive for will involve not just speed , but getting your character to ...
... once : work on one thing at a time . The baby has just been born ; it will take a while for it to learn to walk . Pace As you approach opening night , the pace you strive for will involve not just speed , but getting your character to ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York