Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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... script in favor of developing their own physical actions with the director . This is wise for the most part , especially for such picayune instructions as " cross left to sofa " when your sofa is on the right . But some stage directions ...
... script in favor of developing their own physical actions with the director . This is wise for the most part , especially for such picayune instructions as " cross left to sofa " when your sofa is on the right . But some stage directions ...
50 ページ
... script of silence out in pencil , and feel free to amend it during the rehearsal process and even during the run of the show . Why ? Because as you rehearse , you get closer and closer to the role . Ultimately you want it to be your ...
... script of silence out in pencil , and feel free to amend it during the rehearsal process and even during the run of the show . Why ? Because as you rehearse , you get closer and closer to the role . Ultimately you want it to be your ...
78 ページ
... script itself . In a way , the script takes on a personality of its own and becomes its own author and defender . The author can later have a change of heart or mind ; but once the play has been published , or released , she has let it ...
... script itself . In a way , the script takes on a personality of its own and becomes its own author and defender . The author can later have a change of heart or mind ; but once the play has been published , or released , she has let it ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York