Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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xiv ページ
... stage actor to know ; but many well - intentioned , dedicated actors do not . Some devices may be trailblazing , cutting - edge techniques ; others may just codify what the great stage performers did before we learned to act for the ...
... stage actor to know ; but many well - intentioned , dedicated actors do not . Some devices may be trailblazing , cutting - edge techniques ; others may just codify what the great stage performers did before we learned to act for the ...
36 ページ
... Stage Directions Not all stage directions are the playwright's . Before the early 1980s the acting edition would record stage directions from the first production as prescribed by the director and noted down by the stage manager for ...
... Stage Directions Not all stage directions are the playwright's . Before the early 1980s the acting edition would record stage directions from the first production as prescribed by the director and noted down by the stage manager for ...
254 ページ
... stage business , see business stage directions , 26-28 , 36 , 48 , 61 , 135 , 161 , 194 in dialogue , 34-35 stage life , see life onstage stage manager , 30 , 36 , 219 stakes , xiii , 8 , 30 , 66-81 , 83 , 102 , 103 , 106 , 172 , 211 ...
... stage business , see business stage directions , 26-28 , 36 , 48 , 61 , 135 , 161 , 194 in dialogue , 34-35 stage life , see life onstage stage manager , 30 , 36 , 219 stakes , xiii , 8 , 30 , 66-81 , 83 , 102 , 103 , 106 , 172 , 211 ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York