Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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55 ページ
... start the dramatic action with this moment ; he starts it earlier , before the rise of curtain . Astrov's pre - beat should make this moment the very point at which the play must start . This pre - beat involves first being MEANING 55.
... start the dramatic action with this moment ; he starts it earlier , before the rise of curtain . Astrov's pre - beat should make this moment the very point at which the play must start . This pre - beat involves first being MEANING 55.
94 ページ
... start to look at everyone else in the ensemble — that is , connect with them . Finally you are in the moment . Once ... starts advancing to the center of the circle in a periodic cycle of movement and sound that expresses her inner ...
... start to look at everyone else in the ensemble — that is , connect with them . Finally you are in the moment . Once ... starts advancing to the center of the circle in a periodic cycle of movement and sound that expresses her inner ...
127 ページ
... starts to look like — acting . Exercise : Phrases Clashing . Expand the exercise to include two people : inter- rupt each other , not necessarily verbally , but with an action . Person A starts to speak ( again , don't pretend — really ...
... starts to look like — acting . Exercise : Phrases Clashing . Expand the exercise to include two people : inter- rupt each other , not necessarily verbally , but with an action . Person A starts to speak ( again , don't pretend — really ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York