Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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134 ページ
... sure what was bubbling beneath the dialogue , but they could tell something was . It was like a symphony where the ostinato in the bass builds to the clashing entrance of the horn section . How was this achieved ? Through identifying ...
... sure what was bubbling beneath the dialogue , but they could tell something was . It was like a symphony where the ostinato in the bass builds to the clashing entrance of the horn section . How was this achieved ? Through identifying ...
216 ページ
... Sure , the artist's temperament always struggles to perfect the form , but consistency engenders a confidence that lets a scene sizzle that much more when the audience shows up . I hesitate to use the word frozen for blocking that is in ...
... Sure , the artist's temperament always struggles to perfect the form , but consistency engenders a confidence that lets a scene sizzle that much more when the audience shows up . I hesitate to use the word frozen for blocking that is in ...
226 ページ
... sure your head is sitting on top of your spinal column . Flexing only at the neck , let your chin touch your chest , then lift your head up and back as far as you can go , then back down and up a few times . ( Imagine the Tin Woodman ...
... sure your head is sitting on top of your spinal column . Flexing only at the neck , let your chin touch your chest , then lift your head up and back as far as you can go , then back down and up a few times . ( Imagine the Tin Woodman ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York