Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 ページ In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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13 ページ
... talk to the audience , for that is indeed to whom your character is talking — the living , present spectators . Your soliloquy will be more effective , though , if you determine a specific rapport with them that will propel your speech ...
... talk to the audience , for that is indeed to whom your character is talking — the living , present spectators . Your soliloquy will be more effective , though , if you determine a specific rapport with them that will propel your speech ...
75 ページ
... talk , talk , and more talk ; with objective , it can attain the heights of triumph and the depths of tragedy and pathos . No Objective ? Mysterious and esoteric scripts , like much of absurdist drama , may defy you to determine an ...
... talk , talk , and more talk ; with objective , it can attain the heights of triumph and the depths of tragedy and pathos . No Objective ? Mysterious and esoteric scripts , like much of absurdist drama , may defy you to determine an ...
128 ページ
... talking , stop at the place you enter , take focus for a second , and then continue onto the stage . During that ... talk to her privately ? " Then you propel yourself the rest of the way into the room , your plans slightly adjusted ...
... talking , stop at the place you enter , take focus for a second , and then continue onto the stage . During that ... talk to her privately ? " Then you propel yourself the rest of the way into the room , your plans slightly adjusted ...
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多く使われている語句
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York