Clo. Come, fweet Audrey : We must be married, or we must live in bawdry, Farewell, good mafter Oliver! Not-O fweet Oliver, Leave me not behind thee; I will not to wedding with thee. Sir Oli. 'Tis no matter; ne'er a fantastical knave of them all fhall flout me out of my calling. [Exeunt. SCENE IV. A Cottage in the Foreft. Enter ROSALIND, and CELIA. Rof. Never talk to me, I will weep. Cel. Do, I pr'ythee; but yet have the grace to confider, that tears do not become a man. Rof. But have I not cause to weep. Cel. As good caufe as one would defire; therefore weep: Rof. His very hair is of the diffembling colour, Cel. Something browner than Judas's: marry, his kiffes are Judas's own children. Ref. I'faith, his hair is of a good colour. Cel. An excellent colour: your chefnut was ever the only colour. Rof. And his kiffing is as full of fanctity as the touch of holy beard. Cel. He hath bought a pair of caft lips of Diana: a nun of winter's fifterhood kiffes not more religiously; the very ice of chastity is in them. F 2 Rof Rof. But why did he fwear he would come this morning, and comes not? Cel. Nay certainly, there is no truth in him. Cel. Yes: I think he is not a pick-purse, nor a horse-stealer; but for his verity in love, I do think him as concave as a cover'd goblet, or a worm eaten nut. Rof. Not true in love? Cel. Yes, when he is in; but, I think, he is not in. Rof. You have heard him swear downright, he was. Cel. Was is not is: befides, the oath of a lover is no ftronger than the word of a tapfter; they are both the confirmers of false reckonings: He attends here in the foreft on the duke your father. Rof. I met the duke yesterday, and had much question with him: He afked me, of what parentage I was; I told him of as good as he: fo he laugh'd, and let me go. But what talk we of fathers, when there is fuch a man as Orlando? Cel. O, that's a brave man! he writes brave verfes, fpeaks brave words, fwears brave oaths, and breaks them bravely, quite traverse, athwart the heart of his lover; as a puny tilter, that spurs his horse but on one side, breaks his staff like a noble goofe: but all's brave that youth mounts, and folly guides:-Who comes here? Enter CORIN. Cor. Miftrefs, and mafter, you have oft inquired After the fhepherd that complain'd of love; Whom you faw fitting by me on the turf, Praifing the proud difdainful fhepherdess That That was his mistress. Cel. Well, and what of him? Cor. If you will fee a pageant truly play'd, Rof. O, come let us remove; The fight of lovers feedeth thofe in love :- [Exeunt. SCENE V. Another Part of the Foreft. Enter SYLVIUS, and PHEBE. Syl. Sweet Phebe, do not fcorn me; do not, Phebe : Say, that you love me not; but fay not fo In bitterness: the common executioner, Whose heart the accustom'd fight of death makes hard, Falls not the axe upon the humbled neck Enter ROSALIND, CELIA, and Corin. Phe. I would not be thy executioner; That eyes that are the frail'ft and foftest things, And, if mine eyes can wound, now let them kill thee: Thy palm fome moment keeps: but now mine eyes, Syl. O dear Phebe, If ever (as that ever may be near) You meet in fome fresh cheek the power of fancy, Then fhall you know the wounds invisible That love's keen arrows make. Phe. But, 'till that time, Come not thou near me: and, when that time comes, That you infult, exult, and all at once, Your Your bugle eye-balls, nor your cheek of cream, I had rather hear you chide, than this man woo. Rof. [Afide.] He's fallen in love with her foulnefs, and fhe'll fall in love with my anger :-If it be fo, as fast as the anfwers thee with frowning looks, I'll fauce her with bitter words.-Why look fo upon me? you Phe. For no ill will I bear you. Rof. I pray you, do not fall in love with me, For I am falfer than vows made in wine : Befides, I like you not: If you will know my house, 'Tis at the tuft of olives, here hard by : Will you go, fifter?-Shepherd, ply her hard :Come, fifter:-Shepherdefs, look on him better, And be not proud: though all the world could fee, None could be fo abus'd in fight as he. Come, |