Shakespeare's Theatre: A Dictionary of His Stage ContextBloomsbury Academic, 2002 - 570 ページ Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
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... role of a marriageable young woman , even though the two roles share a deep involvement with Lear . Similarly , modern productions of Dream often double Theseus and Hippolyta with Oberon and Titania . While the couples have analogous ...
... role of a marriageable young woman , even though the two roles share a deep involvement with Lear . Similarly , modern productions of Dream often double Theseus and Hippolyta with Oberon and Titania . While the couples have analogous ...
329 ページ
... roles for them as women in some plays ( such as Caesar ) . Often these page - boy roles display great wit and verve , as with Moth in Love's Labour's , or Falstaff's page in Henry IV , Part 2 and Merry Wives . Typically , many of the ...
... roles for them as women in some plays ( such as Caesar ) . Often these page - boy roles display great wit and verve , as with Moth in Love's Labour's , or Falstaff's page in Henry IV , Part 2 and Merry Wives . Typically , many of the ...
502 ページ
... roles In a departure from medieval practice in which women often performed in public pageants and spectacles , the roles of women on the Elizabethan stage were played by boys . Some roles of older women may have continued to be played ...
... roles In a departure from medieval practice in which women often performed in public pageants and spectacles , the roles of women on the Elizabethan stage were played by boys . Some roles of older women may have continued to be played ...
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Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word