Shakespeare's Theatre: A Dictionary of His Stage ContextBloomsbury Academic, 2002 - 570 ページ Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
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... speech by Jaques in As You Like It , which outlines the acting formulas for each age group : All the world's a stage , And all the men and women merely players ; They have their exits and their entrances , And one man in his time plays ...
... speech by Jaques in As You Like It , which outlines the acting formulas for each age group : All the world's a stage , And all the men and women merely players ; They have their exits and their entrances , And one man in his time plays ...
363 ページ
... speech , whether it be the florid style of Euphuistic comedy or the sententious moralism of the Puritans . Falstaff's elaborate punning , double entendres , ironic self - praise and highly structured mock speeches illustrate the ...
... speech , whether it be the florid style of Euphuistic comedy or the sententious moralism of the Puritans . Falstaff's elaborate punning , double entendres , ironic self - praise and highly structured mock speeches illustrate the ...
387 ページ
... speech and then Antony's over the assassin- ated Julius Caesar ( 3.2 ) , and his later one over the body of Brutus ( 5.5.68–75 ) . Even more important to actors is the speech of self - scrutiny of those about to die . These ...
... speech and then Antony's over the assassin- ated Julius Caesar ( 3.2 ) , and his later one over the body of Brutus ( 5.5.68–75 ) . Even more important to actors is the speech of self - scrutiny of those about to die . These ...
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Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word