Poetry and Music in Seventeenth-Century EnglandCambridge University Press, 1997/12/11 - 311 ページ This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets of the seventeenth century, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes, and Tomkins. McColley combines close readings of particular poems and musical compositions with engagement in historical controversy about the significance of the arts, their relation to politics, and the reliability of language. |
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Amner angels antiphonal Biblia Book Byrd's Cambridge choir choral chord Christ Common Prayer Communion composers consonances consort dissonance divine Donne Donne's doth earth edition Eton Choirbook expressive glory God's harmony hath heart heaven Henry Henry Lawes holy homophonic human Huray hymns imitate instruments John John Milton John Taverner King King's College King's College Chapel kiss Lamentations language Latin light lines liturgy London Lord lute madrigal manuscript Marvell's melismatic melody metrical Milton Morley motets notes numbers Orlando Gibbons Oxford Paradise part-books Peterhouse poems poetic poetry poets polyphony praise psalms Reformation Renaissance rhyme rhythms sacred sermons service music seventeenth-century sing singers solo song sonnets soul sound spirit Stainer and Bell stanza sung sweet syllables Tallis Taverner tenor thee Thomas Tallis Thomas Tomkins Thomas Weelkes thou tion Trinity tune University Press unto verse anthem voice Weelkes William Byrd word-painting words and music worship