A Critical History of English PoetryChatto & Windus, 1956 - 539 ページ |
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331 ページ
... Scott was not the sim- plicity of the broadside ballad that had appealed to Words- worth but the thrilling elements of chivalry , romance , and gramarye in which the old Scottish ballads excel . Hogg and Leyden ... Scott , we SCOTT 331.
... Scott was not the sim- plicity of the broadside ballad that had appealed to Words- worth but the thrilling elements of chivalry , romance , and gramarye in which the old Scottish ballads excel . Hogg and Leyden ... Scott , we SCOTT 331.
335 ページ
... Scott's merits . First , his objectivity - surely a cardinal virtue in a story - teller . Words- worth's own mind was the haunt and the main region of his song ; Scott was not interested in his own mental processes : he wanted to tell a ...
... Scott's merits . First , his objectivity - surely a cardinal virtue in a story - teller . Words- worth's own mind was the haunt and the main region of his song ; Scott was not interested in his own mental processes : he wanted to tell a ...
337 ページ
... Scott as it bore downward : near the end of his days he declared that no man could bear to live if he saw life as it really is . When Scott retired from the contest with Byron , he had by no means done with verse : some of his best ...
... Scott as it bore downward : near the end of his days he declared that no man could bear to live if he saw life as it really is . When Scott retired from the contest with Byron , he had by no means done with verse : some of his best ...
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A. C. Swinburne A. H. Bullen allegory ballads beauty Blake blank verse Burns Byron called Camb century Chapter charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human humour hymns imagination inspired interest John Johnson Keats King Lady language later lines live lover Lycidas metre Milton mind mood moral Nature never night odes Oxfd Oxford Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tradition tragedy translation vols words Wordsworth write written wrote