ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... English Bards and Scotch Reviewers . This is a significant work , not so much in itself as in its revealing Byron's ' turn for satire ' , and his ease with the manner of Pope and the eighteenth century . By the time he left Cambridge ...
... English acquaintance , bringing books ( and tooth - powder ) , who happened also to be a friend of John Hookham Frere , a poet who had used the Italian ottava rima verse form in English . Beppo , the first of the major poems in this ...
... English Literature at The University of Glasgow , he is co - editor of the journal Romanticism , and an advisory editor , and former academic editor , of the Byron Journal . He has published widely on Byron , Shelley , and Romantic ...