ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... Romantic ' stanza . Through its three stanzas it modulates from Romantic night to moral day , and from outward beauty and movement to inward purity and repose : She walks in beauty , like the night Of cloudless climes and starry skies ...
... Romantic period , which is to say most readers , have instinctively read it in reverse . ' Stanzas for Music ' also opens with ' Beauty ' in ' romantic ' ( with a small ' r ' ) fashion . There be none of Beauty's daughters With a magic ...
... Romantic solipsism . On the other hand , the ending might be thought to have something too much of the self - pity of a Harold , a reading which in turn has to be weighed against its psychological truth . This uneasiness might best be ...