ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... isolation of the listener ; the dews have touched the flowers ; the stars are ' met ' ; the word ' dark ' links two other qualities ; the moon ' melts ' the twilight . Perhaps less obviously the fixed moment is under - gentle siege ...
... isolation from other society and by the presence of Shelley , which was new . Alongside this , he was continually reminded of the domestic tragedy in England , and irritated by what he saw as the domestic farce of Claire's infatuation ...
... isolation of the self love is only love - of - self transposed . As the play ends , Manfred is sought by the conventional Faust - play devils , who intend to drag him off to hell . But he refuses to go . It is a quite extraordinary ...